Hard Score to Score
Review by Richard Buxton
In a way, a score such as that of FROM INSIDE may be the hardest to score. A score that resides firmly in the territory of atmospheres conflicts with many of the traits one would associate with proficient film composing. More often than not film score lovers, in their early discovery years within the genre, would find themselves being whisked away by the more thematic-heavy scores out there as opposed to the brooding atmospheres and creeping soundscapes. As a result it could be argued that opposing the idea of a theme or melody goes against the very nature of a film composer, yet some tasks require exactly that, and FROM INSIDE is one of them.
READ THE FULL REVIEW
Hiç yorum yok:
Yorum Gönder