13 Ekim 2012 Cumartesi
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Here's your chance to proclaim your love for him...say it.
Dear Jason Teddy Chua Momo,
Thank you for taking the first step to ask me out and giving us a chance to experience the ups and downs in our life journey. Your love and efforts to make me happy can be felt and seen by myself and those around me. I know I have someone to motivate and support me and I wish to become your supportive half. I look forward to our life together as a married couple, beginning another phase and many other interesting chapters in our life from now on. I love you.
Hugs & Muacks,
Geraldine PandaKoala Lai
Children's Day Birthday
By evening, it was time to set out to meet Teddy Chua for my birthday dinner treat. It was pouring quite heavily and I was running late as I got carried away doing my report. Luckily, Teddy Chua was patient enough to wait for me (think i was abt 15min late). We went to Bugis, Hotel Intercontinental, where he treated me to Japanese food. We walked to Bras Brasah to check out a book store but it was already closed. The slight drizzle added a romantic feel to the after-dinner walk. We walked over to artichoke, at Sculpture Garden but it was a full-house.
We went back to the lounge area in Hotel Intercontinental where Teddy Chua insisted on getting a mini birthday cake for me. The pianist was very observant and when the cake was served with a single lit candle, he immediately played the birthday song before resuming his original piano piece. Though Teddy Chua is tired out from work, his efforts to make me happy on my birthday is much appreciated.
I got home and sis gave me a handmade letter with our photos and a red packet...Thank you all dearies...i feel very loved and blessed to have all of you in my life. =)
Tis' the season to be shopping...falalalalalalalala...
Now, when the Xmas season is here and Chinese New Year is round the corner, she decides to furnish her wardrobe with new clothes. The festive sales also helped to attract her to the stores...have spent 3 days this week shopping and counting...=P
Sunday: Shopping in Orchard with Teddy Chua
Tuesday: Shopping in Somerset with Mum & sis, Shopping with Teddy Chua in Orchard
Wednesday: Shopping in Tampines with Yifen
Thursday: Shopping in Tampines with Beryl, Grocery shopping in Marine Parade
Don't steal my hubby...
Saturday: he is on duty for the Air show then he joins my family for dinner at Thai Village Restaurant (Goodwood Park Hotel) to celebrate my dad's birthday.
Sunday: he will bring me to the Air show before his late night flight to Tokyo->Chicago->Washington (as the air tickets were bought too late).
Teddy Chua's work is stealing my hubby! (X_X)*
12 Ekim 2012 Cuma
Don't steal my hubby...
Saturday: he is on duty for the Air show then he joins my family for dinner at Thai Village Restaurant (Goodwood Park Hotel) to celebrate my dad's birthday.
Sunday: he will bring me to the Air show before his late night flight to Tokyo->Chicago->Washington (as the air tickets were bought too late).
Teddy Chua's work is stealing my hubby! (X_X)*
Composer John Williams on NBC's Rock Center
Visit NBCNews.com for breaking news, world news, and news about the economy
Well, perhaps TV does have something to offer on occasion. If you missed it, like I did, last night NBC's ROCK CENTER featured a segment on The Maestro, composer John Williams.
Some things to note in this short video:
1) Check out his reaction to the question, "Do you own an iPod?" (It's the same reaction I have.)2) Check out his "studio." It's is EXACTLY as we had talked about in episode 50 of the SoundCast.
It's always a delight to see and hear from Mr. Williams.
'Aurora' Composed by Hans Zimmer to Benefit Victims
Composer Hans Zimmer recently posted this on his Facebook page:
"Aurora" is dedicated to those who lost their lives and were affected by the tragedy in Aurora, Colorado. I recorded this song in London in the days following the tragedy as a heartfelt tribute to the victims and their families. 100% of the proceeds will be donated to Aurora Victim Relief organization. The track is available on iTunes shortly and here: http://bitly.com/QmUiWM"
Just as Christian Bale's visit was, this is a great gesture of sensitivity and support, so donate, help, and listen.
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Welcome our Newest Team Member: Thomas Midena
The Tracksounds Gang...err Team continues to grow, so join us in welcoming our newest member, Thomas Midena. Thomas has already contributed several soundtrack reviews and blog posts:
BREAKING BAD BY DAVE PORTERSTAR WARS: THE OLD REPUBLIC BY MARK GRISKEYTOP 10 TRACKS FROM DOCTOR WHO (SEASONS 1 - 4)
You can look forward to more great posts and reviews from Thomas in the days to come! Meanwhile you can reach him on Twitter @Thoroughmas.
11 Ekim 2012 Perşembe
Tis' the season to be shopping...falalalalalalalala...
Now, when the Xmas season is here and Chinese New Year is round the corner, she decides to furnish her wardrobe with new clothes. The festive sales also helped to attract her to the stores...have spent 3 days this week shopping and counting...=P
Sunday: Shopping in Orchard with Teddy Chua
Tuesday: Shopping in Somerset with Mum & sis, Shopping with Teddy Chua in Orchard
Wednesday: Shopping in Tampines with Yifen
Thursday: Shopping in Tampines with Beryl, Grocery shopping in Marine Parade
Don't steal my hubby...
Saturday: he is on duty for the Air show then he joins my family for dinner at Thai Village Restaurant (Goodwood Park Hotel) to celebrate my dad's birthday.
Sunday: he will bring me to the Air show before his late night flight to Tokyo->Chicago->Washington (as the air tickets were bought too late).
Teddy Chua's work is stealing my hubby! (X_X)*
Composer John Williams on NBC's Rock Center
Visit NBCNews.com for breaking news, world news, and news about the economy
Well, perhaps TV does have something to offer on occasion. If you missed it, like I did, last night NBC's ROCK CENTER featured a segment on The Maestro, composer John Williams.
Some things to note in this short video:
1) Check out his reaction to the question, "Do you own an iPod?" (It's the same reaction I have.)2) Check out his "studio." It's is EXACTLY as we had talked about in episode 50 of the SoundCast.
It's always a delight to see and hear from Mr. Williams.
'Aurora' Composed by Hans Zimmer to Benefit Victims
Either scripts and active content are not permitted to run or Adobe Flash Player version0.0.0 or greater is not installed.
Composer Hans Zimmer recently posted this on his Facebook page:
"Aurora" is dedicated to those who lost their lives and were affected by the tragedy in Aurora, Colorado. I recorded this song in London in the days following the tragedy as a heartfelt tribute to the victims and their families. 100% of the proceeds will be donated to Aurora Victim Relief organization. The track is available on iTunes shortly and here: http://bitly.com/QmUiWM"
Just as Christian Bale's visit was, this is a great gesture of sensitivity and support, so donate, help, and listen.
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
10 Ekim 2012 Çarşamba
Man of Steel - Defender of Middle Earth
For those of you who haven't seen it yet, whether in front of THE DARK KNIGHT RISES or not, the Christopher Nolan produced, Zach Snyder directed, new, Superman-tale, THE MAN OF STEEL, has a teaser trailer.The visuals are compelling enough (I suppose), but, personally, I'm not looking forward to any shaky-cam-version of Superman. Aside from that, I don't yet find anything too offensive in the trail...oh wait.
Does that music sound a bit familiar? Oh it most certainly should...but it was originally written for another earth...Middle Earth. That unforgettable solo soprano is none other than Howard Shore's "Lament for Gandalf" (THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING).
For most who view this trailer, it will be inconsequential, but some of you soundtrack-geniuses out there might find it a tad distracting. Perhaps we can hold out hope for Princess Leia's theme in the full trailer down the road.
Does this seem like an odd pairing to you? Does it distract or bother you?
Composer John Williams on NBC's Rock Center
Visit NBCNews.com for breaking news, world news, and news about the economy
Well, perhaps TV does have something to offer on occasion. If you missed it, like I did, last night NBC's ROCK CENTER featured a segment on The Maestro, composer John Williams.
Some things to note in this short video:
1) Check out his reaction to the question, "Do you own an iPod?" (It's the same reaction I have.)2) Check out his "studio." It's is EXACTLY as we had talked about in episode 50 of the SoundCast.
It's always a delight to see and hear from Mr. Williams.
'Aurora' Composed by Hans Zimmer to Benefit Victims
Either scripts and active content are not permitted to run or Adobe Flash Player version0.0.0 or greater is not installed.
Composer Hans Zimmer recently posted this on his Facebook page:
"Aurora" is dedicated to those who lost their lives and were affected by the tragedy in Aurora, Colorado. I recorded this song in London in the days following the tragedy as a heartfelt tribute to the victims and their families. 100% of the proceeds will be donated to Aurora Victim Relief organization. The track is available on iTunes shortly and here: http://bitly.com/QmUiWM"
Just as Christian Bale's visit was, this is a great gesture of sensitivity and support, so donate, help, and listen.
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Prometheus (Soundtrack) by Marc Streitenfeld - Gang-Tackle Review
We Were So Wrong
Review by The Tracksounds Gang
As the world had become engrossed in a new, family-friendly, fantastic, galaxy not too close to here, Ridley Scott was preparing to unleash altogether different kind of sci-fi film upon us; one that was all too close, too real, and too scary. In 1979, ALIEN made us fear the front-rows of movie theatres again and helping to make the film something beyond just a piece of horror set in space was the great air of mystery that surrounded it all. Thirty plus years later, Sir Scott returns us to that universe with a film that was to finally shed some official light on those questions - PROMETHEUS.
While Jerry Goldsmith’s score was nominated for several awards, it had, at the director’s hands, morphed (or was manipulated) quite dramatically away from the composer’s original concept. Regardless, it’s effect on audiences remains as menacing as ever and is among Goldsmith’s most beloved works. The music for the Alien franchise continued to greatly evolve with each successive sequel, from JAMES HORNER to ELLIOT GOLDENTHAL to JOHN FRIZZELL. And now, this “para-prequel” finds itself in the hands of Scott’s most recent favorite composer-collaborator, MARC STREITENFELD.
The film and score was discussed at length in episode 49 of The Soundcast, but at the time of the launch of the home video release, the Tracksounds Gang returns to tackle the original score for PROMETHEUS.
READ THE FULL GANG-TACKLE REVIEW
9 Ekim 2012 Salı
SoundCast Ep. 50 - Fish, Fish, Water, Water - The Dark Knight Rises
Ep. 50- "Fish, Fish, Water, Water - The Dark Knight Rises"
Composer Sascha Dicikiyan and Alex Billington join us for an in-depth discussion on THE DARK KNIGHT RISES. They explore Nolan’s final entry in his Batman trilogy as well as Hans Zimmer’s score. Lastly, they discuss the MAN OF STEEL trailer and it’s intriguing choice of music.
Episode Highlights
00:00 The Batmontage
00:27 Intro and Welcome
02:12 The Tragedy in Aurora, Colorado
08:20 The Dark Knight Rises - General Reaction
19:11 The Dark Knight Rises - Spoiler Talk
32:32 The Dark Knight Rises - The original score
64:54 Sidetrack: Man of Steel Teaser
Music Selections
00:00 "Batman" (Batman Begins) Hans Zimmer, James Newton Howard
00:17 "Why Do We Fall" (The Dark Knight Rises) by Hans Zimmer
07:00 "Nothing Out There" (The Dark Knight Rises) by Hans Zimmer
31:52 "Why Do We Fall" (The Dark Knight Rises) by Hans Zimmer
33:28 "Gotham's Reckoning" (The Dark Knight Rises) by Hans Zimmer
35:10 "Mind If I Cut In" (The Dark Knight Rises) by Hans Zimmer
46:58 "Harvey Two-Face" (The Dark Knight) by Hans Zimmer, James Newton Howard
50:00 "The Batman Theme" (Batman) by Danny Elfman
65:24 "Khazad-Dûm" (LOTR: Fellowship of the Ring [Complete]) by Howard Shore
68:30 "The Planet Krypton" (Superman) by John Williams
70:02 "Journey To The Line" (Thin Red Line]) by Hans Zimmer
86:24 "Rise" (The Dark Knight Rises) by Hans Zimmer
Download the episode here
Subscribe and more info here
Composer John Williams on NBC's Rock Center
Visit NBCNews.com for breaking news, world news, and news about the economy
Well, perhaps TV does have something to offer on occasion. If you missed it, like I did, last night NBC's ROCK CENTER featured a segment on The Maestro, composer John Williams.
Some things to note in this short video:
1) Check out his reaction to the question, "Do you own an iPod?" (It's the same reaction I have.)2) Check out his "studio." It's is EXACTLY as we had talked about in episode 50 of the SoundCast.
It's always a delight to see and hear from Mr. Williams.
'Aurora' Composed by Hans Zimmer to Benefit Victims
Either scripts and active content are not permitted to run or Adobe Flash Player version0.0.0 or greater is not installed.
Composer Hans Zimmer recently posted this on his Facebook page:
"Aurora" is dedicated to those who lost their lives and were affected by the tragedy in Aurora, Colorado. I recorded this song in London in the days following the tragedy as a heartfelt tribute to the victims and their families. 100% of the proceeds will be donated to Aurora Victim Relief organization. The track is available on iTunes shortly and here: http://bitly.com/QmUiWM"
Just as Christian Bale's visit was, this is a great gesture of sensitivity and support, so donate, help, and listen.
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Fill Up Your Hard-Drive with Soundtracks! | AmazonMP3 Sale
Looking for some new soundtracks to fill up your hard-drive with? Well, Amazon is having a wee bit of a sale you might be interested in. Here are a few select soundtracks that you might be interested in getting while the getting's good!
BEASTS OF THE SOUTHERN WILD
BORDERLANDS 2 (DIKICIYAN, VELASCO)
LOOPER (NATHAN JOHNSON)
THE DARK KNIGHT RISES (HANS ZIMMER)
SWORD & SWORCERY (JIM GUTHRIE)
RESIDENT EVIL: RETRIBUTION (TOMANDANDY)
VENDETTA (JO BLANKENBURG)
AMAZING GRACE (DAVID ARNOLD)
DRAGONHEART (RANDY EDELMAN)
TOMORROW NEVER DIES
THE AWAKENING (DANIEL PEMBERTON)
ROBIN HOOD (MICHAEL KAMEN)
EMPIRE OF THE SUN (JOHN WILLIAMS)
QUIGLY DOWN UNDER (BASIL POLEDOURIS)
A NIGHT OF FANTASIA 2004 (EMINENCE ORCHESTRA)
Find those and more here!
8 Ekim 2012 Pazartesi
Breaking Bad (Original Score from the Television Series) by Dave Porter - Review
Breaking Bad Isn't Breaking Ground
Review by Thomas Meinerts
Since the first season aired in 2008, this American drama series created by Vince Gilligan has risen to small-screen fame, and is now one of the most popular shows on television. Breaking Bad is a dark thriller which follows the story of Walter White, a man who descends into a life of crime in order to provide for his family. Supplying the soundtrack for the show since the beginning is composer Dave Porter. His music, however, takes a backseat in this production. It fulfills the necessary action and emotional beats, but never emerges beyond the format of a glorified soundscape.
READ THE FULL REVIEW
Here's your chance to proclaim your love for him...say it.
Dear Jason Teddy Chua Momo,
Thank you for taking the first step to ask me out and giving us a chance to experience the ups and downs in our life journey. Your love and efforts to make me happy can be felt and seen by myself and those around me. I know I have someone to motivate and support me and I wish to become your supportive half. I look forward to our life together as a married couple, beginning another phase and many other interesting chapters in our life from now on. I love you.
Hugs & Muacks,
Geraldine PandaKoala Lai
Children's Day Birthday
By evening, it was time to set out to meet Teddy Chua for my birthday dinner treat. It was pouring quite heavily and I was running late as I got carried away doing my report. Luckily, Teddy Chua was patient enough to wait for me (think i was abt 15min late). We went to Bugis, Hotel Intercontinental, where he treated me to Japanese food. We walked to Bras Brasah to check out a book store but it was already closed. The slight drizzle added a romantic feel to the after-dinner walk. We walked over to artichoke, at Sculpture Garden but it was a full-house.
We went back to the lounge area in Hotel Intercontinental where Teddy Chua insisted on getting a mini birthday cake for me. The pianist was very observant and when the cake was served with a single lit candle, he immediately played the birthday song before resuming his original piano piece. Though Teddy Chua is tired out from work, his efforts to make me happy on my birthday is much appreciated.
I got home and sis gave me a handmade letter with our photos and a red packet...Thank you all dearies...i feel very loved and blessed to have all of you in my life. =)
Tis' the season to be shopping...falalalalalalalala...
Now, when the Xmas season is here and Chinese New Year is round the corner, she decides to furnish her wardrobe with new clothes. The festive sales also helped to attract her to the stores...have spent 3 days this week shopping and counting...=P
Sunday: Shopping in Orchard with Teddy Chua
Tuesday: Shopping in Somerset with Mum & sis, Shopping with Teddy Chua in Orchard
Wednesday: Shopping in Tampines with Yifen
Thursday: Shopping in Tampines with Beryl, Grocery shopping in Marine Parade
Don't steal my hubby...
Saturday: he is on duty for the Air show then he joins my family for dinner at Thai Village Restaurant (Goodwood Park Hotel) to celebrate my dad's birthday.
Sunday: he will bring me to the Air show before his late night flight to Tokyo->Chicago->Washington (as the air tickets were bought too late).
Teddy Chua's work is stealing my hubby! (X_X)*
7 Ekim 2012 Pazar
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Here's your chance to proclaim your love for him...say it.
Dear Jason Teddy Chua Momo,
Thank you for taking the first step to ask me out and giving us a chance to experience the ups and downs in our life journey. Your love and efforts to make me happy can be felt and seen by myself and those around me. I know I have someone to motivate and support me and I wish to become your supportive half. I look forward to our life together as a married couple, beginning another phase and many other interesting chapters in our life from now on. I love you.
Hugs & Muacks,
Geraldine PandaKoala Lai
Children's Day Birthday
By evening, it was time to set out to meet Teddy Chua for my birthday dinner treat. It was pouring quite heavily and I was running late as I got carried away doing my report. Luckily, Teddy Chua was patient enough to wait for me (think i was abt 15min late). We went to Bugis, Hotel Intercontinental, where he treated me to Japanese food. We walked to Bras Brasah to check out a book store but it was already closed. The slight drizzle added a romantic feel to the after-dinner walk. We walked over to artichoke, at Sculpture Garden but it was a full-house.
We went back to the lounge area in Hotel Intercontinental where Teddy Chua insisted on getting a mini birthday cake for me. The pianist was very observant and when the cake was served with a single lit candle, he immediately played the birthday song before resuming his original piano piece. Though Teddy Chua is tired out from work, his efforts to make me happy on my birthday is much appreciated.
I got home and sis gave me a handmade letter with our photos and a red packet...Thank you all dearies...i feel very loved and blessed to have all of you in my life. =)
Tis' the season to be shopping...falalalalalalalala...
Now, when the Xmas season is here and Chinese New Year is round the corner, she decides to furnish her wardrobe with new clothes. The festive sales also helped to attract her to the stores...have spent 3 days this week shopping and counting...=P
Sunday: Shopping in Orchard with Teddy Chua
Tuesday: Shopping in Somerset with Mum & sis, Shopping with Teddy Chua in Orchard
Wednesday: Shopping in Tampines with Yifen
Thursday: Shopping in Tampines with Beryl, Grocery shopping in Marine Parade
Don't steal my hubby...
Saturday: he is on duty for the Air show then he joins my family for dinner at Thai Village Restaurant (Goodwood Park Hotel) to celebrate my dad's birthday.
Sunday: he will bring me to the Air show before his late night flight to Tokyo->Chicago->Washington (as the air tickets were bought too late).
Teddy Chua's work is stealing my hubby! (X_X)*
6 Ekim 2012 Cumartesi
Rising - Reflecting on Hans Zimmer 'Aurora'
Aurora by Hans ZimmerReview by Christopher Coleman
A week ago, the anticipation for Christopher Nolan’s final installment in his Batman trilogy had reached its peak. As July 20 turned to July 21, THE DARK KNIGHT RISES would begin showing to the general public all across the United States. Thousands of fans would crowd thousands of theaters to experience the caped crusader’s conclusion. Thousands would behold Nolan’s eye-popping visuals and be taken down to the depths of theatrical despair and then to the heights of sacrificial triumph through HANS ZIMMER’s original score. For a few hundred, the experience of that night would be an unforgettably horrific, near-death experience and for twelve innocent attendees, it would prove to be the darkest of all nights.
Since, the media has peeled back layer after layer and story after story about the alleged gunman, the twelve victims who lost their lives and the dozens of others who were traumatized in that darkened theater. Thankfully, this story doesn't end there and, as the days pass, we find something else rising through this tragedy.
There have been countless cards sent, facebook posts, and tweets expressing not only outrage against such senselessness but also equal compassion for the victims. There is the story of the young woman, a composer herself, who was miraculously spared the death-path of a bullet into her brain. There was the babysitter doing all to protect a child and the “Aurora 3,” who gave their lives for their friends. Then there was the star of this Batman trilogy, Christian Bale, doing his best to secretly visit recovering survivors, as well as members of the Denver Broncos and even the President Obama doing the same. And finally, one week later, we have composer HAN ZIMMER’s latest composition, ‘AURORA;’ written in honor of the victims and for which all of the donated proceeds go to assisting.
AURORA is an 8:36 choral piece which rivals, in terms of poignancy and introspection, Zimmer’s oft referenced “Journey to the Line” from THE THIN RED LINE, the sacred forcefulness found in THE DA VINCI CODE, and the honor of THE LAST SAMURAI. If you’re thinking that is a potent combination, you’d be correct. Add to this the fact that this piece was written, not for fictional characters in make-believe situations, but for very real victims of a very real tragedy and AURORA takes on even greater emotional weight.
The piece painstakingly moves from angelic, acapella sopranos harmonizing as they...rise to gripping and robust choral performance of, what will be for fans of the Batman scores, a familiar segment and back again. As the track starts, thoughts of Samuel Barber rush in, but at just before the two minute mark, the weighty combination of deep strings and bassy vocals expand to fill-out the music's foundation. A brief introduction to a new musical idea is made here; one that is dark and almost menacing, but one to be revisited in a different light at the track's conclusion.
Male chorus takes over and discreetly deliver an elongated variation of part b of the Batman theme. Repeated choral variations of this, one of the most elegant portion of all the Batman musical ideas, serves as the main body of the piece. It repeats and continues to rise, then fall, only to rise again, yet higher. Zimmer’s elegy concludes with the solo soprano returning to perform the motif darkly introduced earlier in the track and we are, at last, left in its emotional wake.
Theaters have been sanctuaries of escapism for decades. While the images and ideas, projected onto the screens therein, have not always been tales of the good of mankind, a theater is rarely thought of, in any contemporary sense, as a place where these sorts of horrors would ever be made manifest. Yet, in the earliest of hours on July 21, 2012, it happened and, for now and sometime forward, the illusion of the protected moviegoing experience may be marred. The Dark Knight Rises will ever be connected with tragedy, but even as the smoke of our minds and hearts clear, we also will, in part due to Hans Zimmer's 'Aurora,' associate memories of heroism, self-sacrifice, and how the goodness within the human heart is released to rise above and help light the way through society’s dark nights.
Donate and download AURORA by Hans Zimmer here
Here's your chance to proclaim your love for him...say it.
Dear Jason Teddy Chua Momo,
Thank you for taking the first step to ask me out and giving us a chance to experience the ups and downs in our life journey. Your love and efforts to make me happy can be felt and seen by myself and those around me. I know I have someone to motivate and support me and I wish to become your supportive half. I look forward to our life together as a married couple, beginning another phase and many other interesting chapters in our life from now on. I love you.
Hugs & Muacks,
Geraldine PandaKoala Lai